Avery Fisher Hall was sold out for the concert by Gustavo Dudamel and the Los Angeles Philharmonic on Thursday night, the first chance for concertgoers in New York to see him in action since he became the orchestra’s music director last fall. He has since galvanized Los Angeles with his exuberant music making and inspiring capacity for outreach.
But part of the job description for a music director at a major American orchestra involves fostering the technical skills of the players and giving assured, fresh performances of works in the central repertory. In this regard, Thursday’s concert was a disappointment. It began with an arresting account of Leonard Bernstein’s Symphony No. 2 (“The Age of Anxiety”) with the pianist Jean-Yves Thibaudet dazzling in the formidable solo part.
After intermission, however, Mr. Dudamel turned to Tchaikovsky’s “Pathétique” Symphony, and the performance, though rhapsodic and intensely expressive, was rough and unfocused. Mr. Dudamel conducted from memory and exuded involvement. Clearly, he knows the score and knows what he wants. But he may have wanted more than the music could bear.
Read the full review in The New York Times here.
Over the years many symphonic institutions have tried, with inconclusive results. In his first season as music director of the New York Philharmonic, Alan Gilbert is pursuing a more experimental, potentially more exciting, agenda. For the New York premiere of Gyorgy Ligeti’s “Grand Macabre,” opening a three-night run on Thursday at Avery Fisher Hall, he has opted for a portable multimedia staging by the diminutive production company Giants Are Small, based in Sunset Park, a blue-collar neighborhood in Brooklyn.
Read the full article in The New York Times here.
Tune in at Noon as we tweet live from our press conference as Alan Gilbert & special guests announce the 2010/11 season!
Alan Gilbert and the Philharmonic begin 2010/11 with a world premiere by Wynton Marsalis, performed with the JALC orchestra.
Director/Designer Doug Fitch is back to stage Janacek’s “The Cunning Little Vixen.” He wants to create a “meta-forest” in Avery Fisher Hall.
Composer-In-Residence Magnus Lindberg returns in 10-11; Gilbert conducts his groundbreaking Kraft, with instruments made from car parts!
Anne-Sophie Mutter is the NYP’s new Artist-In-Residence. She’ll perform premieres with Gilbert and MTT; chamber music, a recital and more.
Hungarian Echoes: Esa-Pekka Salonen conducts three weeks of Bartok, Haydn & Ligeti. Guests include Aimard, Mustonen & Michelle DeYoung…
Alan Gilbert and the Phil will play the Brahms triple with Shaham, Ax, and Ma for the @CarnegieHall 120th Anniversary!
Read more in The New York Times here.
Posted in Features, News
- Tagged Alan Gilbert, Anne-Sophie Mutter, Avery Fisher Hall, Bartok, Carnegie Hall, Doug Fitch, Haydn, Janacek, Ligeti, Magnus Lindberg, New York Philharmonic, Wynton Marsalis
On paper, the two Russian works that Alan Gilbert conducted with the New York Philharmonic in an impressive concert on Thursday night at Avery Fisher Hall might seem unlikely choices to be included in programs for the orchestra’s important tour of Europe, which begins on Jan. 17.