Tag: Bernd Alois Zimmermann
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While the “Monologe” are representative of the period in which Zimmermann’s “pluralism” was at its most intensive – the almost unbounded multi-layered structure of an entire world of ideas, Zimmermann… more ›
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The opening bars of the 1950 Sonate für Violine und Klavier by Bernd Alois Zimmermann act as a launching pad for an invigorating first movement of Bartókian dimensions. The second… more ›