For a musical ensemble with a famous name, legacy is a double-edged sword. On the one hand, a storied name can grab attention. On the other, an illustrious history can be burdensome when it sets up expectations that are difficult to live up to. The Pro Arte Quartet, which performed at Weill Recital Hall on Wednesday evening, is presumably acquainted with both sides of the issue.
A more striking pedigree would be hard to imagine. Founded in Belgium in 1912, the original Pro Arte Quartet played for royalty; introduced new pieces by composers like Schoenberg, Bartok and Barber; and recorded regularly, including sessions with the pianist Artur Schnabel. The group’s 1926 American debut at the Library of Congress was followed by frequent tours of this country.
Stranded here by Hitler’s invasion of Belgium in 1940, the quartet was taken in by the University of Wisconsin, Madison, where it established a performing and teaching residency claimed to be the first of its kind at a major American university. According to the group’s Web site, (proartequartet.org), 26 musicians have been part of the quartet at one time or another.
Read the full review in The New York Times here.
Tune in at Noon as we tweet live from our press conference as Alan Gilbert & special guests announce the 2010/11 season!
Alan Gilbert and the Philharmonic begin 2010/11 with a world premiere by Wynton Marsalis, performed with the JALC orchestra.
Director/Designer Doug Fitch is back to stage Janacek’s “The Cunning Little Vixen.” He wants to create a “meta-forest” in Avery Fisher Hall.
Composer-In-Residence Magnus Lindberg returns in 10-11; Gilbert conducts his groundbreaking Kraft, with instruments made from car parts!
Anne-Sophie Mutter is the NYP’s new Artist-In-Residence. She’ll perform premieres with Gilbert and MTT; chamber music, a recital and more.
Hungarian Echoes: Esa-Pekka Salonen conducts three weeks of Bartok, Haydn & Ligeti. Guests include Aimard, Mustonen & Michelle DeYoung…
Alan Gilbert and the Phil will play the Brahms triple with Shaham, Ax, and Ma for the @CarnegieHall 120th Anniversary!
Read more in The New York Times here.
Posted in Features, News
- Tagged Alan Gilbert, Anne-Sophie Mutter, Avery Fisher Hall, Bartok, Carnegie Hall, Doug Fitch, Haydn, Janacek, Ligeti, Magnus Lindberg, New York Philharmonic, Wynton Marsalis