Telemusik is an electronic composition by Karlheinz Stockhausen, and is number 20 in his catalog of works. Through his composition student, Makoto Shinohara, Stockhausen was invited by the Japan Broadcasting Corporation NHK to visit Tokyo, and to carry out two commissions in their electronic music studio, in connection with the 50th anniversary of the founding of NHK in 1965. Because of other commitments, Stockhausen was unable to meet this schedule but finally, under pressure from Tokyo, he flew to Japan on 19 January 1966. According to a note in the score, Telemusik was realized between January 23 and March 2, 1966 in the Studio for Electronic Music of the Japanese broadcasting system Nippon Hoso Kyokai (NHK), in collaboration with the director of the studio, Wataru Uenami and the studio technicians Hiroshi Shiotani, Shigeru Satô and Akira Honma. The score is dedicated to the Japanese People. The first public performance took place at the NHK studios in Tokyo on 25 April 1966, in a program which also featured the first and second performances (in versions for trombone and for flute) of Stockhausen’s other NHK commission, Solo.
For John Cage, nature always provided an important source of inspiration. On a tour with the Merce Cunningham Dance Company in Arizona 1975, dancer Charles Moulton brought John Cage a dried cactus, placed it near his ear and plucked its spines. This inspired John Cage to use cacti as musical instruments in pieces like Child of Tree (1975) and Branches (1976).The instruments in Branches are plants, preferably cacti, which are touched, plucked and »played«. The resulting sounds are amplified with contact microphones. From the score, the performers create their respective instruments with the assistance of the Chinese I-Ching’s coin oracle. In doing so, they determine which and how many instruments are to be played and when a break should take place. One of the instruments should be a Mexican pod rattle, which is always to be played as the final of the 8-minute variations. The performance, directed by Peter Behrendsen, combines Branches with Inlets (1977). Water-filled conch shells of different sizes are tipped by performers in order to produce gurgling sounds. This does not always work, however. Cage speaks of a »contingency« as there is no causal relationship between cause (action) and effect (sound). [Source]
Performer: Shigemori Mika, Takemura Nobukazu, Inagaki Takashi
Performer: Nishijima Atsushi, Murai Keitetsu
Performer: Inagaki Takashi, Takemura Nobukazu, Nishijima Atsushi, Miyajima Saikou, Murai Keitetsu
John Cage 100th Anniversary Countdown Event 2009
Date: November 8 / 2009
Venue: Kyoto Art Center
Original soundtrack recording by SFT to the film directed by Isao Yamada (Anmonaito No Sasayaki Wo Kiita). Played by The Balanescu Quartet.
1. The First Dream (15:33)
2. The Second Dream (15:46)
3. The Last Dream (7:36)
4. I’m Afraid to Go to Sleep (8:57)
Listen to an unreleased track here:
A variety of Japanese and Japanese American arts — including Butoh and jazz, as well as anime — will be celebrated during “JapanOC,” a seven-month festival presented by Carnegie Hall, the Philharmonic Society of Orange County and the Segerstrom Center for the Arts.
Programs will feature traditional and contemporary music, dance, theater, film and visual art. Among the highlights will be tributes to composer Toru Takemitsu and sculptor-designer Isamu Noguchi by artists including the Los Angeles Philharmonic, the Martha Graham Dance Company and the Tokyo String Quartet.
Music offerings include:
- Guitarist Kazumi Watanabe playing selections from Takemitsu’s avant-garde works on Dec. 19 at OCPAC’s Samueli Theater.
- Gustavo Dudamel leading the L.A. Philharmonic in a program of Takemitsu’s “Requiem for Strings” and works by Webern and Bruckner on March 5 at OCPAC’s Renee and Henry Segerstrom Concert Hall.
- The Tokyo String Quartet performing Takemitsu’s “A Way a Lone” and other works on April 19 at the Samueli Theater.