Los Angeles (February 16, 2010) – Los Angeles Philharmonic Music Director Gustavo Dudamel and President and CEO Deborah Borda today announced the 2010/11 season of the Los Angeles Philharmonic. Dudamel and the LA Phil move into the second season of their partnership, one which allows for a greatly expanded presence for Dudamel in Los Angeles. The momentum and initiatives of Dudamel‟s inaugural season continue with 12 new commissions, 9 world premieres, 5 U.S. premieres, 5 West Coast premieres, 2 composer-based festivals, a major European tour and a series of artistic partnerships. The vibrant season, which embraces innovation, excellence and commitment to community, is further embodied in the expansion of YOLA, along with a spectrum of imaginative presentations and the continuing tradition of introducing rising artists and composers.
Alex Ross of The New Yorker notes that millions of Americans will enjoy music by an unusually long list of intrepid composers when Martin Scorsese’s film “Shutter Island,” starring Leonardo DiCaprio, opens Feb. 19. The list includes names from — surprise! — the heart of avant-garde classicism: Giacinto Scelsi, John Cage, Lou Harrison, György Ligeti, Morton Feldman, Krzysztof Penderecki, Alfred Schnittke, Nam June Paik, Ingram Marshall and John Adams.
“This fairly bold lineup of composers, which would cause the average orchestra subscriber to flee in terror, appears on the soundtrack to Martin Scorsese’s film “Shutter Island.”Scorsese’s music supervisor is Robbie Robertson, the former lead guitarist of The Band, who has consulted on many of the director’s movies, notably “Raging Bull” and “The King of Comedy.” “This may be the most outrageous and beautiful soundtrack I’ve ever heard,” Robertson says, in a press release. It’s hard to argue with the claim, given that the playlist includes Cage’s “Music for Marcel Duchamp,” Scelsi’s “Uaxuctum,” Feldman’s “Rothko Chapel,” and Ligeti’s “Lontano.” Ligeti and Penderecki come out of the familiar Kubrick playbook—“Lontano” figured memorably in “The Shining”—but many of the other selections are unexpected, most of all the choice of Mahler’s Piano Quartet in A Minor. (Via Bryant Manning.)”
IN its modest, underground way a concert that the young musicians of the Ensemble ACJW gave on a brisk night in December at Le Poisson Rouge, the Greenwich Village club for all kinds of contemporary music, was one of the most liberating programs I have heard in years.
The excellent players, participants of the Academy (the select training institute for post-graduate musicians run jointly by the Juilliard School, Carnegie Hall and the Weill Music Institute), impishly titled the program “ACJW Gets Extreme: The Mix Tape.” The idea was to present substantive contemporary music with the trappings of a rock band’s release party.
Though the performances were brilliant, it was the irreverent mixing of works that excited me. The players leapt from the experimental modernist Stockhausen’s “Zodiac” to an elusive, rock-infused new chamber work, “Bow to String,” by Daniel Bjarnason, a trendy young Icelandic composer; from “Semi-Simple Variations,” a spiky 12-tone piano piece by Milton Babbitt, to “Synchronisms No. 9” for violin and electronics by Mario Davidovsky. And so on. Categories be damned.
Pekka Kuusisto, viool/leiding
Mark Padmore, tenor
Jacqueline Shave, viool
* Purcell – Fantasia a 7 in c, Z 738 (arr. N. Muhly)
* Purcell/Muhly – Let the Night Perish (Job’s Curse), Z 191
* Purcell – Fantasia Upon One Note, a 5 in F, Z 745 (arr. N. Muhly)
* Tippett – A Lament (uit ‘Divertimento on Sellinger’s Round’)
* Britten – Les illuminations, op. 18
* Reich – Duet
* Muhly – Impossible Things
* J. Adams – Shaker Loops (Version for String Orchestra)
Voorafgaand aan het concert in de Grote Zaal zullen Pekka Kuusisto en Nico Muhly worden geïnterviewd.
Aanvang: 19.35 uur, Spiegelzaal. Reserveren is niet nodig.