Sofia Gubaidulina – The Canticle of the Sun (1997, rev. 1998)

Glorification of the Creator, and His Creations – the Sun and the Moon
Glorification of the Creator, the Maker of
the four elements: air, water, fire and earth
Glorification of life
Glorification of death

Sofia Gubaidulina’s 80th birthday in October 2011 generated much press coverage around the world, appropriately stressing the uniqueness and the variety of her compositional approaches. Both are in evidence on these recordings from Lockenhaus. “Canticle of the Sun”, recorded in 2010, revisits the celebrated piece that Gubaiduilina wrote in tribute to Mstislav Rostropovich on the occasion of his 70th birthday in 1997. Rostropovich’s famously sunny disposition was an inspiration, by association prompting Gubaidulina to set St Francis of Assisi’s “Canticle of the Sun” for choir. In this recording, Nicolas Altstaedt, one of the most accomplished cellists of his generation, takes on the highly expressive lead role. A further, timely, Lockenhaus connection here: as of this year, Altsteadt takes over from Kremer as the new director of the Lockenhaus Chamber Music Festival. [source]

Gidon Kremer: Violin
Marta Sudraba: Violoncello
Nicolas Altstaedt: Violoncello
Andrei Pushkarev: Percussion
Rihards Zalupe: Percussion
Rostislav Krimer: Celesta
Riga Chamber Choir Kamēr…
Māris Sirmais: Conductor

The Canticle of the Sun (1997, rev. 1998)
for violoncello, chamber choir, percussion and celesta
Dedicated to Mstislav Rostropovich
Recorded July 2010 at Lockenhaus Festival
ECM Records New Series 2256
Genre: Classical
Style: Experimental, New Music, Post-Modern

Canticle of the Sun revisits the celebrated piece that Gubaidulina wrote in tribute to Mstislav Rostropovich on the occasion of his 70th birthday.

 

R-3481909-1332183516

Julio Estrada – Tres instantes – (1982)

Julio Estrada Velasco (born 10 April 1943) is a composer, theoretician, historian, pedagogue, and interpreter.

Estrada was born in Mexico City, where his family had been exiled from Spain since 1941. He began his musical studies in Mexico from 1953–65, where he studied composition with Julián Orbón. In Paris from 1965-69 he studied with Nadia Boulanger, Olivier Messiaen and attended courses and lectures of Iannis Xenakis. In Germany he studied with Karlheinz Stockhausen in 1968 and with György Ligeti in 1972. He completed a Ph.D in Musicology at Strasbourg University from 1990-1994. [source]

Lylia Vásquez, – Piano /Álvaro Bitrán – Violoncello.
Grabada en la UAM-Iztapalapa, México, 1982.

 

julio estrada09-1