Music review: Brooklyn Rider rocks around Debussy

An address of distinction for young artists these days, Brooklyn is, especially for musicians, a neighborly borough where formal barriers barely exist anymore.

Brooklyn Rider, for instance, made its Orange County debut at Irvine Barclay Theatre Wednesday night but might just as well have performed in a club. It played Debussy and Philip Glass and joined forces with a player of the ancient Japanese flute, the shakuhachi. The quartet could just as well have been on the bill the same night at Walt Disney Concert Hall, where the Iranian kamancheh star, Kayhan Kalhor, happened to be appearing at the same time 45 miles away on his spike fiddle. In fact, it is a good question why Brooklyn Rider and Kalhor weren’t together. Two years ago, they joined forces for a CD, “Silent City,” and it is a knockout.

The dazzling fingers-in-every-pie versatility that Brooklyn Rider exhibits is one of the wonders of contemporary music. All four players are also members of Yo-Yo Ma’s Silk Road Ensemble. Violinist Johnny Gandelsman has entrepreneurial talent: He started a New York new music series and the Riders’ record label, In a Circle.

Read the full article in Los Angeles Times.

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