In my review of the Barbican’s Total Immersion day on Brian Ferneyhough I mentioned that “few composers impose themselves on my mind or day-to-day perception to quite such an extent”. Which is to say that I know of few composers whose music I find superficially inexplicable but which nevertheless impresses itself so firmly on my consciousness. That’s an intoxicating and intriguing paradox. Major new Ferneyhough experiences quite often leave me in a distracted and slightly troubled state of mind for several days afterwards, particularly as I try to assimilate what I’ve heard through repeated listenings.
Brian Ferneyhough – re-immersion
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One response to “Brian Ferneyhough – re-immersion”
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Personally I dislike his pretentious unfounded alien-styled inhumane chaotic pseudo-random material, which exists only for it’s own sake and creates sensory responses that are not of the composer’s intention, but just happen to occur.
Make no mistake: Ferneyhough is no real composer; and the fact that this has never been accordingly stated or criticized shows the times in which we live: Feed the people any rubbish, with just a hint of added intellectual superiority and they’ll believe it and worship you ‘message’.… Ferneyhough… the charlatan king of pretentious wishful implication
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