There was one other piece on the program, Toru Takemitsu’s Requiem for strings, which was added because the L.A. Phil will also play this concert in Costa Mesa as part of the Philharmonic Society of Orange County’s JapanOC festival.
The Requiem is the Japanese composer’s first notable work, written in 1957 as Takemitsu was recovering from tuberculosis. Like Webern and Bruckner, Takemitsu wrote music that insists on stopping and smelling the roses. But in the French-influenced early Takemitsu the perfume is everything.
The Philharmonic strings did not fully convey the impression of weightlessness that Takemitsu might have liked, but the textures were lush and Dudamel centered in on the Requiem’s meditative beauty.