John Adams – Roll Over Beethoven

Joseph Havlat & Philip Moore from the LSO Percussion Ensemble perform ‘Roll Over Beethoven’ by John Adams. Filmed at LSO Eclectica: East meets West – proudly supported by Reignwood. Recorded March 2018 at LSO St Luke’s.

Joseph Havlat & Philip Moore from the LSO Percussion Ensemble perform ‘Roll Over Beethoven’ by John Adams. Filmed at LSO Eclectica: East meets West – proudly supported by Reignwood. Recorded March 2018 at LSO St Luke’s.

Eliane Radigue – Biogenesis (1973)

elianeeadigue_biogenesis

Éliane Radigue (born January 24, 1932) is a French electronic music composer. She began working in the 1950s and her first compositions were presented in the late 1960s. Until 2000 her work was almost exclusively created on a single synthesizer, the ARP 2500 modular system and tape. Since 2001 she has composed mainly for acoustic instruments.

Gustav Mahler – Symphony No. 3 in D Minor (1896)

Mahler_Sy3--_C_-Unitel-002

The Symphony No. 3 by Gustav Mahler was written in 1896, or possibly only completed in that year, but composed between 1893 and 1896. It is his longest piece and is the longest symphony in the standard repertoire, with a typical performance lasting around 90 to 105 minutes. It was voted the tenth-greatest symphony of all time in a survey of conductors carried out by the BBC Music Magazine.

The Wiener Philharmonic conducted by Leonard Beinstein:

The New York Philarmonic conducted by Leonard Bernstein:

Performed tonight at the Osterfestspiele in Salzburg by Staatskapelle Dresden conducted by Christian Thielemann.

Bernd Alois Zimmermann – Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne — Ekklesiastische Aktion for two narrators, bass and orchestra (1970)

Bernd Alois Zimmermann (1918-1970): Ich wandte mich und sah an alles Unrecht, das geschah unter der Sonne, Ekklesiastische Aktion für 2 Sprecher, Bass-Solo und Orchester (1970)
3.3.3.3 – 5.3.6.1 – timp, 4 perc, e-git, hp – strings

Bernard Kruysen (narrator), Lieuwe Visser (narrator), Wout Oosterkamp (bass), Radio Symfonie Orkest, Richard Dufallo

November 22, 1986, Amsterdam
Concert given with Orlando Quartet (Wolf/Stravinsky, 2 Sacred Songs; Schubert, String Quartet No. 14)

Florence Price – Symphony No. 1 in E minor (1932)

Florence Price (1887-1953)

Symphony No. 1 in E minor

I. Allegro non troppo
II. Largo, Maestoso
III. Allegro
IV. Presto

New Black Repertory Ensemble
Leslie B. Dunner, conductor

Florence Beatrice Price was an American classical composer. She was the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.

Florence Beatrice Smith was born to Florence Gulliver and James H. Smith on April 9, 1887, in Little Rock, Arkansas, one of three children in a mixed-race family. Despite racial issues of the era, her family was well respected and did well within their community. Her father was a dentist and her mother was a music teacher who guided Florence’s early musical training. She had her first piano performance at the age of four and went on to have her first composition published at the age of 11.

By the time she was 14, Florence had graduated from Capitol High School at the top of her class and was enrolled in the New England Conservatory of Music with a major in piano and organ. Initially, she pretended to be Mexican to avoid the prejudice people had toward African-Americans at the time. At the Conservatory, she was able to study composition and counterpoint with composers George Chadwick and Frederick Converse. Also while there, she wrote her first string trio and symphony. She graduated in 1906 with honors and both an artist diploma in organ and a teaching certificate.

She taught in Arkansas briefly before moving to Atlanta, Georgia, in 1910, where she became the head of Clark Atlanta University’s music department. In 1912, she married Thomas J. Price, a lawyer, and moved back to Little Rock, Arkansas. After a series of racial incidents in Little Rock, particularly a lynching in 1927, the family moved to Chicago, where Florence Price began a new and fulfilling period in her compositional career. She studied composition, orchestration, and organ with the leading teachers in the city including Arthur Olaf Anderson, Carl Busch, Wesley La Violette, and Leo Sowerby, and published four pieces for piano in 1928. While in Chicago, Price was at various times enrolled at the Chicago Musical College, Chicago Teacher’s College, University of Chicago, and American Conservatory of Music, studying languages and liberal arts subjects as well as music.

Financial struggles led to a divorce in 1931, and Florence became a single mother to her two daughters. To make ends meet, she worked as an organist for silent film screenings and composed songs for radio ads under a pen name. During this time, Price lived with friends and eventually moved in with her student and friend, Margaret Bonds, also a black pianist and composer. This friendship connected Price with writer Langston Hughes and contralto Marian Anderson, both prominent figures in the art world who aided in Price’s future success as a composer. Together, Price and Bonds began to achieve national recognition for their compositions and performances. In 1932, both Price and Bonds submitted compositions for Wanamaker Foundation Awards. Price won first prize with her Symphony in E minor, and third for her Piano Sonata, earning her a $500 prize. Bonds came in first place in the song category, with a song entitled “Sea Ghost.” The Chicago Symphony Orchestra, conducted by Frederick Stock, premiered the Symphony on June 15, 1933, making Price’s piece the first composition by an African-American woman to be played by a major orchestra.

Price was inducted into the American Society of Composers, Authors, and Publishers in 1940 for her work as a composer. In 1949, Price published two of her spiritual arrangements, “I Am Bound for the Kingdom,” and “I’m Workin’ on My Buildin'”, and dedicated them to Marian Anderson, who performed them on a regular basis.

On June 3, 1953, Price died from a stroke in Chicago, Illinois. Following her death, much of her work was overshadowed as new musical styles emerged that fit the changing tastes of modern society. Some of her work was lost, but as more African-American and female composers have gained attention for their works, so has Price. In 2001, the Women’s Philharmonic created an album of some of her work. Pianist Karen Walwyn and The New Black Repertory Ensemble performed Price’s “Concerto in One Movement” and “Symphony in E minor” in December 2011.