Alva Noto & Ryuichi Sakamoto – Vrioon (2002)

Vrioon is the debut collaboration album between Ryuichi Sakamoto and Alva Noto, released in 2002 [source]

Music By – Alva Noto and Ryuichi Sakamoto

Piano – Ryuichi Sakamoto / Sounds [Additional Sounds] – Carsten Nicolai

  1.  “Uoon I” 13:51
  2.  “Uoon II” 9:40
  3.  “Duoon” 5:46
  4.  “Noon” 10:13
  5.  “Trioon I” 5:09
  6.  “Trioon II” 9:57

R-83299-1196618246.jpeg

Bernhard Lang – Differenz/Wiederholung 1.2 (2002)

Differenz/Wiederholung 1.2 is composed by Bernhard Lang for Flute, Tenor Saxophone and Piano.

Philippe Racine (flute)
Marcus Weiss (tenor saxophone)
Paulo Alvares (piano)

Bernhard Lang (February 24, 1957 in Linz) is an Austrian composer, improvisationalist and programmer of musical patches and applications. His work can be described as modern contemporary music, with roots, however, in various genres such as 20th-century avant-garde, European classical music, jazz, free jazz, rock, punk, techno, EDM, electronica, electronic music and computer-generated music. Bernhard Lang came to prominence with his work cycle “Differenz / Wiederholung” (“difference / repetition”) in which he illuminated and examined the themes of reproductive and DJ cultures based on the philosophic work of Gilles Deleuze.  [source]

dw1 war das erste stück der differenz/wiederholungsserie, in dem ich vom prinzip der vorangehenden schrift-stücke dahingehend abwich, dass ich bestimmte details meiner handschrift virtuell sampelte und loopte; das wiederholungszeichen und die anzahl der wiederholungen wurden mit einem mal beherrschende parameter des stücks. ich versuchte mich hier in einer art phänomenologie der wiederholung. es tauchen hier u.a.
a) mechanische, “tote” wiederholungen
b) differente, gescratchte wiederholungen
c) geschichtete und zeitdifferente wiederholungen als mobiles und kanons
d) und kombinationen von a-c
auf.

dw 1.2 entstand auf anregung von erik drescher als umarbeitung des trios für flöte, cello und klavier zu flöte, saxophon und klavier. aufgrund der teilweise völlig veränderten klanglichkeit wurden alle partien neu konzipiert, das klangmaterial weitgehend umstrukturiert.

bernhard lang, wien, 04.04.2002 Homepage, Bernard Lang

Bernhard_Lang_04(c)Ramin_Mizani_450h

Georg Friedrich Haas – In Vain (1st Dark Section) (2002)

Georg Friedrich Haas: In Vain (1st Dark Section)

Georg Friedrich Haas (born 16 August 1953 in Graz, Austria) is an Austrian composer of spectral music. [source]

Composition for 24 Instruments
Album: In Vain
Released on Kairos Records
Composed by: Georg Friedrich Haas
Performed by: Klangforum Wien Ensemble
Conductor: Sylvain Cambreling
Genre: Classical
Style: Avantgarde, Microtonal

This composition has been conceived to be performed in a specific light environment of the concert hall, changing gradually as the movements of the composition unfold. This is the first dark section, after the opening movement in which the lights are gradually turned down signaling a shift in the atmosphere while the instruments abandon equal-tempered tuning and follow the overtone series. The section is primarily comprised of a series of duos (one string instrument and one wind instrument), whose entrances are overlapped and chained together. The duos begin on a unison pitch, but the string instrument immediately slides the pitch up or down by a half step, concurrently overtaking the corresponding woodwind in volume. This section is performed in complete darkness as the performers have memorized the score. As this section reaches its ending the concert hall lightning gradually increases while the piece continues to the next movement.
There are two dark sections on the entire composition while the first (this one) is meant to be played in complete darkness, the second dark section is played in dark while there are strobes of flashing light through its duration.
Dark Sections:
First Dark Section: 5’30″
First Dark Section Ends: 11’02″
Second Dark Section: 42’15″
Strobe Flashes Begin: 48’20″
Second Dark Section Ends: 56’35″

961e210609