Bernhard Lang – Differenz/Wiederholung 1.2 (2002)

Differenz/Wiederholung 1.2 is composed by Bernhard Lang for Flute, Tenor Saxophone and Piano.

Philippe Racine (flute)
Marcus Weiss (tenor saxophone)
Paulo Alvares (piano)

Bernhard Lang (February 24, 1957 in Linz) is an Austrian composer, improvisationalist and programmer of musical patches and applications. His work can be described as modern contemporary music, with roots, however, in various genres such as 20th-century avant-garde, European classical music, jazz, free jazz, rock, punk, techno, EDM, electronica, electronic music and computer-generated music. Bernhard Lang came to prominence with his work cycle “Differenz / Wiederholung” (“difference / repetition”) in which he illuminated and examined the themes of reproductive and DJ cultures based on the philosophic work of Gilles Deleuze.  [source]

dw1 war das erste stück der differenz/wiederholungsserie, in dem ich vom prinzip der vorangehenden schrift-stücke dahingehend abwich, dass ich bestimmte details meiner handschrift virtuell sampelte und loopte; das wiederholungszeichen und die anzahl der wiederholungen wurden mit einem mal beherrschende parameter des stücks. ich versuchte mich hier in einer art phänomenologie der wiederholung. es tauchen hier u.a.
a) mechanische, “tote” wiederholungen
b) differente, gescratchte wiederholungen
c) geschichtete und zeitdifferente wiederholungen als mobiles und kanons
d) und kombinationen von a-c
auf.

dw 1.2 entstand auf anregung von erik drescher als umarbeitung des trios für flöte, cello und klavier zu flöte, saxophon und klavier. aufgrund der teilweise völlig veränderten klanglichkeit wurden alle partien neu konzipiert, das klangmaterial weitgehend umstrukturiert.

bernhard lang, wien, 04.04.2002 Homepage, Bernard Lang

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Terry Riley – Chanting the Light of Foresight (2. Movement: The Pipes Of Medb / Medb’s Blues) (1987)

Chanting the Light of Foresight (imbas forasnai) is a 1987 composition by Terry Riley written for and commissioned by the Rova Saxophone Quartet, though during the course of the composition it was decided that Rova would compose “The Chord of War” and “The Pipes of Medb/Medb’s Blues” contains improvisation.

The piece is based on the Taín Bó Cuailnge (The Cattle Raid of Cooley, translated by Thomas Kinsella), a part of the eight-century Ulster cycle of heroic tales.

The work is partly in resonant intonation, requiring false fingerings, jaw manipulations, and straining the lips and lungs, and contains many unusual time signatures. “The Tuning Path” and “The Pipes of Medb” progresses from simple to more complex areas of tuning, statically depicting night on the battlefield. “Medb’s Blues” is in the form of a 6 bar 10/4blues where players alternately keep a cantus firmus while others improvise. “Song Announcing Dawn’s Combat” depicts foster brothers and main character adversaries Cúchulainn and Ferdia and uses 7/8 rhythms, pulsing drones, and Hindustani scales to refer to the Bhagavad Gita. Ferdia is killed by his brother with a secret weapon, gae bolga, which Cúchulainn removes from the body while lamenting in “Ferdia’s Death Chant”. Cúchulainn completes his training under Scáthach as a warrior and shaman, and she chants to him his future through the imbas forasnai through repeated phrases containing 8/8 and 7/8 measures. Only the first chord of the Rova-composed section does not appear throughout the rest of the piece. Riley responded to Rova’s concern for this by saying, “Well — that’s the chord of war. [source]

Movements:
1. The Tuning Path / 2. The Pipes of Medb/Medb’s Blues / 3. Song Announcing Dawn’s Combat / 4. The Chord of War / 5. Ferdia’s Death Chant / 6. Chanting the Light of Foresight

Performed by Rova Saxophone Quartet:
Steve Adams – Alto Saxophone
John Raskin – Baritone Saxophone
Bruce Ackley – Soprano Saxophone
Larry Ochs – Tenor Saxophone, Sopranino Saxophone

Recorded on April 15, 16; May 9, 10; July 21, 1993 at St. Stephens Church, Belvedere. Relesed on New Albion in 1994: Terry Riley – Rova ‎– Chanting The Light Of Foresight – Imbas Forasnai

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[via Adrian Aurelius, thanks a lot]