In 1969 David Balakrishnan, then a teenage violin student, attended a Jimi Hendrix concert in Los Angeles that led him to reconsider his approach to his instrument, and to music more broadly. He began learning some of Hendrix’s guitar solos on the violin, and he decided that his repertory should embrace both classical music and pop. As a composer he extended that philosophy to his own music.
Read the full article in The New York Times here.
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