On Wired.com, Geeta Dayal spoke with the composer and electronic-music pioneer Laurie Spiegel. The reason? A bit of Spiegel’s 1972 piece “Sediment” has cropped up in the film adaptation of The Hunger Games. A 9-minute slice of pure atmospheric portent, “Sediment” is a perfect fit for any dystopian flick. Unlike a great deal of self-styled “experimental” music, it manages to deploy a mood of grimness with a counter-intuitively light touch. [Source]
[via Matthew Whiteside]
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Waaaw… it’s good. Never heard of her before. Have you seen her discography http://retiary.org/ls/…
Why is this on your classical blog?
T
Because it was from the same time as the Per Nørgård piano piece I played yesterday. I will re-post it on ELECTRONIC20.COM, though. It fits there as well.